Animabilia
Giostre edizioni, 2024
224 pages, 21x29 cm
Cover paper with thick purple print
Edition of 200 copies
Photography & research: Clelia Cadamuro
Art direction: Chinzia Cucini
Book cover design: Giulia Boccarossa
Book design: Clelia Cadamuro,
Giorgia Caboni
Animabilia is an exploration of the role of aesthetics in the relationship with animals. Astonishing traits such as iridescent scales, colorful coats, and gleaming feathers evoke in humans a spontaneous sense of wonder, which translates into practices of appropriation, imitation, and objectification.
Over ten visual narratives explore the ways this sublimation takes shape: through a collection of images featuring naturalistic subjects like taxidermy, dioramas, zoos, and tropical houses, Animabilia outlines the expressions of this fascination, focusing on ancient practices that find new interpretations in contemporary contexts. This attraction to animal forms and their visual manifestations has deep roots in humanity’s history, symbolizing an instinctive and ancestral aesthetic force. Originating from a primordial drive to admire and emulate the beauty of the natural world, these practices bridge ancient rituals and modern expressions. From an aesthetic perspective, a portrait of humanity emerges, subjected to the beauty of the natural world, concentrated on the attempt to grasp its ephemeral beauty, through practices that originated in antiquity and are now translated differently into the contemporary.
I sensi dell'isola
Self-published, 2021
120 pages,145×210 mm
Flexible cover with dust jacket
Edition of 80 copies
The project investigates the concept of island identity in relation to the sense of isolation, through an exploration of the less-known landscapes and suburbs of the Venetian Lagoon. The research delves into this condition, questioning whether it is something to escape from or rather a form of preservation and refuge.
An island, by being an island, is a universe unto itself, distinct and original. The connection between island and isolation, and thus solitude, is what allows it to present itself as an island before the world and, in turn, to become its own world. Its very quality as an island lies in cultivating its uniqueness. Water is both the boundary and the beginning of these islands, inseparable and fundamental to their very definition.
This work attempts to explore the inherent meanings of being an island, investigating what this condition entails through a photographic narrative of the lesser-known islands of the lagoon. By traversing the suburbs that have yet to succumb to gentrification, the territories of the islanders reveal themselves, carrying with them an intrinsic sense of solitude. This solitude is not an isolation to seek relief from, but one in which to find solace—an isolation that becomes uniqueness and preservation.
Animabilia
Giostre edizioni, 2024
Format: 21x29 cm
Pages: 224
Paper: Cover paper Fedrigoni Sirio Foglia with thick purple print, internal paper Gardapat
Edition of 200 copies
Photography & research: Clelia Cadamuro
Art direction: Chinzia Cucini
Book cover design: Giulia Boccarossa
Book design: Clelia Cadamuro, Giorgia Caboni
Animabilia is an exploration of the role of aesthetics in the relationship with animals. Astonishing traits such as iridescent scales, colorful coats, and gleaming feathers evoke in humans a spontaneous sense of wonder, which translates into practices of appropriation, imitation, and objectification.
Over ten visual narratives explore the ways this sublimation takes shape: through a collection of images featuring naturalistic subjects like taxidermy, dioramas, zoos, and tropical houses, Animabilia outlines the expressions of this fascination, focusing on ancient practices that find new interpretations in contemporary contexts. This attraction to animal forms and their visual manifestations has deep roots in humanity’s history, symbolizing an instinctive and ancestral aesthetic force. Originating from a primordial drive to admire and emulate the beauty of the natural world, these practices bridge ancient rituals and modern expressions. From an aesthetic perspective, a portrait of humanity emerges, subjected to the beauty of the natural world, concentrated on the attempt to grasp its ephemeral beauty, through practices that originated in antiquity and are now translated differently into the contemporary.
I sensi dell'isola
Self-published, 2021
120 pages,145×210 mm
Flexible cover with dust jacket
Edition of 80 copies
The project investigates the concept of island identity in relation to the sense of isolation, through an exploration of the less-known landscapes and suburbs of the Venetian Lagoon. The research delves into this condition, questioning whether it is something to escape from or rather a form of preservation and refuge.
An island, by being an island, is a universe unto itself, distinct and original. The connection between island and isolation, and thus solitude, is what allows it to present itself as an island before the world and, in turn, to become its own world. Its very quality as an island lies in cultivating its uniqueness. Water is both the boundary and the beginning of these islands, inseparable and fundamental to their very definition.
This work attempts to explore the inherent meanings of being an island, investigating what this condition entails through a photographic narrative of the lesser-known islands of the lagoon. By traversing the suburbs that have yet to succumb to gentrification, the territories of the islanders reveal themselves, carrying with them an intrinsic sense of solitude. This solitude is not an isolation to seek relief from, but one in which to find solace—an isolation that becomes uniqueness and preservation.